Welcome! Over the next many months we invite you to return here, specifically on the fourth Thursday of each month for the newest installment of Sue Harrison‘s teaching: Writing The Third Dimension. You can read all the segments by clicking on the page title WRITING THE THIRD DIMENSION, found under Writers’ Helps & Workshops on the drop-down menu. Please feel free to ask questions and leave comments for Sue. Now for the topic for month two:
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“Writing the Third Dimension” – part 2: Cut the Puppet Strings!
One of my little life treasures is a slip of paper from my uncle that is filled with handwritten notes about characterization. Uncle Bill was a composer, symphony conductor, and concert pianist, very eccentric and very brilliant. When I was in college, I worked up enough nerve to begin sending him some of my short stories. He became my coach, cheerleader, and harshest critic, exactly what I needed at that time. I finally wrote a novelette and sent that 40,000 words of drivel to him.
Uncle Bill wrote a critique of my novelette, and, when he was at the post office to mail that critique to me, he ripped a deposit slip out of his checkbook and wrote this on the back: [his words and spelling] “Your characters must be so real they even defy the author. They wake you up in the middle of the nite and spit right in your eye. You are not creating puppets that do what you want but live living beings that act their life right in front of you. You will do well to write it down fast enough when this happens.” In the critique, one of his sentences reads: “I know more about the sidewalk [in your manuscript] than I do about your main character.” My manuscript had a fatal flaw. I had managed to write 40,000 words without allowing any of my characters to step off the page and assume three dimensions. I’d written a whole novelette about people who were merely puppets, and their strings were showing.
In my first “Writing the Third Dimension” post here on Polilla Writes, we talked about carrying your characters around in your head until you know them well enough to understand what will destroy them. That’s identifying the huge center of your character, but you also have to know all those quirky little things that will make your character real and loveable and irascible, those attributes that will make your character memorable to your readers.
If you are just beginning your novel, or if, in rereading your manuscript, you feel that your characters are stiff and fake, buy, beg, or scarf up a three-ring binder. Fill it with lined loose-leaf paper, or, if you’re a techie, start a file on your computer or iPad. As you carry your main character around in your head, take notes about him or her. Don’t try to get too organized about this. Right now you’re a hunter-gatherer. Hunt for the stuff and jot it down. When you’re answering the telephone, stop and think how your main character would answer the telephone. When you’re ordering pizza, decide what your main character would like on his pizza. If you’re clicking through the channels on your television, figure out what your main character would watch. What would he read? What car would she buy? Where does he like to vacation? If you’re writing about a different era than modern times, what horse would she ride? What fabric would she choose for her new dress? What did he name his spaceship? Write it all down.
Cut out photographs from magazines or eZines and save them until you have a composite picture of what your main character looks like. Here’s a huge secret about writing that I’ll tell you now and also tell you again in later posts. If your visualization of your character (or a setting or an item) is fuzzy in your mind, it will be visually fuzzy to your reader. That’s one of the few rules of writing that’s pretty much set in stone. Learn to see your character in action in your mind. How does he run? Like Harrison Ford? How does she smile? Like Julia Roberts? Close your eyes and visualize until you see that character so clearly you could be watching her on television.
Last month, we were looking at the big picture – the center of your character’s being, his self-esteem, her reason for living. This month, we’re talking about the details, figuring out all the small stuff that makes people real. Next month? The whole picture. Remember, the stronger your characters, the better chance you’ll have to be published, which means that I’ll get to read your books. I can’t wait!
My questions for you: What color is your main character’s hair? What does your main character love to do in his free time?
Any questions for me? Please feel free to ask!
Blessings and Happy Writing!
Sue
*Writing the Third Dimension, copyright, 2010 Sue Harrison*
Bestselling author, Sue Harrison, has written two Alaska trilogies: The Ivory Carver Trilogy and The Storyteller Trilogy, and a middle readers’ book SISU. Prior to the publication of her novels, Harrison was employed at Lake Superior State University as a writer and acting director of the Public Relations Department and as an adjunct instructor in creative writing and advanced creative writing. For more information, click here. To inquire about booking Sue for workshops or speaking engagements this year, click here.
Thanks for joining us! Please feel free to leave your questions and comments. We invite you come back March 28, 2013, for part 3.
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